Further details about this module.
Study |
What you will study |
1 |
Making Renaissance ArtCourse Guide – read this first! |
2 |
Study Guide 1 |
3 |
Study Guide 1 |
4 |
Study Guide 1 |
5 |
Study Text: Book 1, Chapter 5 – Making Renaissance altarpieces |
6 |
Study text: Book 1, Chapter 6 – The printed picture in the Renaissance |
7 |
Study text: Book 1, Chapter 7 – Making histories, publishing theories |
8 |
Study week |
9 |
Locating Renaissance ArtStudy text: Book 2 Introduction and Chapter 1 – The allure of Rome |
10 |
Study text: Book 2, Chapter 2 – Netherlandish networks |
11 |
Study text: Book 2, Chapter 3 – Tapestries as a transnational artistic commodity |
12 |
Study text: Book 2, Chapter 4 – Siena and fits Renaissance |
13 |
Study text: Book 2, Chapter 5 – The painter Angelos and post-Byzantine art |
14 |
Study text: Book 2, Chapter 6 – Art in fifteenth-century Venice: ‘an aesthetic of diversity’ |
15 |
Study text: Book 2, Chapter 7 – Bramante and the sources of the Roman High Renaissance |
16 |
Study week |
17 |
Viewing Renaissance ArtStudy text: Book 3 Introduction and Chapter 1 – Art, class and wealth |
18 |
Study text: Book 3, Chapter 2 – Florentine art and the public good |
19 |
Study text: Book 3, Chapter 3 – Renaissance bibliomania |
20 |
Study text: Book 3, Chapter 4 – Monarchy and prestige in France |
21 |
Study week |
22 |
Study text: Book 3, Chapter 5 – Audiences and markets for Cretan icons |
23 |
Study text: Book 3, Chapter 6 – Art and death |
24 |
Study text: Book 3, Chapter 7 – Holbein and the reform of images |
25 |
Study Week |
26–31 |
Work on Assignment 05 |
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