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Dr M A Katritzky

M A Katritzky photo

Profile summary

  • Barabara Wilkes Research Fellow in Theatre Studies (SRF)
  • Faculty of Arts & Social Sciences
  • School of Art His, Class St, Eng&CW, Mus
  • English & Creative Writing
  • m.a.katritzky

Professional biography

I joined The Open University in 2001. A graduate of UCL, I gained my DPhil in 1995 from St Catherine’s College, University of Oxford, where I also served as Research Associate and Graduate Advisor from 2001 to 2005. Before joining the OU, I held Alexander von Humboldt, Herzog August Library and NIAS (Netherlands Institute for Advanced Study) Fellowships, and was Senior Research Fellow at Wimbledon School of Art for four years. From 2016 to 2019, I am also serving as Visiting Professor at the University of Trier (DFG Forschergruppe 2539: Resilienz).

Research interests

My research focuses on early modern English and comparative drama and performance culture. I am a member of the OU Book History, Gender in the Humanities, and Medieval and Early Modern Research Groups. Outputs of research projects funded by the Herzog August Library, AHRC and British Academy include my three monographs: Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter (Ashgate, 2012), Women, Medicine and Theatre, 1500-1750: Literary Mountebanks and Performing Quacks (Ashgate, 2007) and The art of commedia: a study in the commedia dell’arte 1560-1620 with special reference to the visual records (Rodopi, 2006).
 
I am series editor (with Prof. Jim Davis) of the four volume Ashgate Performance Practice Reprint Series (2014), hold the 2015 Stephen Joseph Award of the Society for Theatre Research, and the outputs of my 2014-2015 Wellcome Trust funded research on monstrous performers include my articles “A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture” (in German Life and Letters), “Literary anthropologies and Pedro González, the “Wild Man” of Tenerife” (in Medical Cultures of the Early Modern Spanish Empire) and "Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick" (in Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne).
 
Since 1.1.2014, I have also published on:
WILLIAM SHAKESPEARE ("Shakespeare’s “portrait of a blinking idiot”: transnational reflections" in Transnational Mobilities in Early Modern Theater; “'A plague o’ these pickle herring': from London drinkers to European stage clown" in Ninth World Shakespeare Congress: Renaissance Shakespeare: Shakespeare Renaissances; "Shakespearean players in early modern Europe", co-authored with Pavel Drábek, in The Cambridge Guide to the Worlds of Shakespeare);
SAMUEL BUTLER ("Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s 'Hudibras'" in Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century);
THEATRE ICONOGRAPHY ('Images of the commedia dell'arte' in The Routledge Companion to Commedia dell'Arte; "Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions" in Peraikos' Erben: Die Genese der Genremalerei bis 1550; "Die Ikonografie der Commedia dell'arte bis 1750" in Spettacolo barocco! Triumph des Theaters).
 

I peer review for academic and trade publishers,  journals and research funding bodies, in the UK, US, Canada and Europe, and serve on the editorial boards of Early Theatre and Commedia dell'Arte, Annuario Internazionale, the executive committee of the UK Alexander von Humboldt Association (co-organizer, with host Dr Ian MacLaren, Scotland Meeting, Glasgow, June 2016; Programmes Sub-committee, with Prof. Geoff Thornton, Annual Meeting, Oxford, Sept.2016), the steering committee of the discipline-shaping NYU-based international research collective Theater Without Borders (Organizer: TWB Annual Workshop 2012; co-convenor, with Prof. Pavel Drabek, TWB Publication Workshop 2016), and the committee of TOIA (The Oxford Italian Association), for whom I organized public lectures at St Anne's College, Oxford in 2015, by OU colleagues Profs Helen King and Nicola Watson (details here).

My external presentations since 1.1.2014 include: BERLIN (RSA March 2015); DURHAM (SiTM, July 2016); ESSEN (KWI, Sept 2015); FLORENCE (Technologies of Spectacle II, Oct 2017); FREIBURG (FRIAS, Feb 2017); GDANSK (ESRA, July 2017); GIESSEN (Universität Giessen, Dec 2015); GLASGOW (1st Alexander von Humboldt Association UK Scotland meeting, June 2016); IRSEE (Schwabenakademie, March 2015 & March 2016); KÖLN (TWB Annual Workshop, Schloss Wahn, May 2017); LEEDS (Tetley Art Gallery, March 2017; IMC, July 2017); LONDON (The Globe Theatre, Jan 2016; Birkbeck College, April & May 2016, Feb 2017; In Light of Gloriana, Tower of London, Nov 2016; KCL, Dec 2017); MAINZ (Institut für Film-, Theater- und empirische Kulturwissenschaft, May 2017); NEW DELHI (National School of Drama: 16th National Festival of Indian Drama, Jan 2014); OXFORD (Oxford Embroiderers' Guild, Jan 2014; All Souls' College, Feb 2014; TWB Annual Workshop, Ertegun House, June 2014; Prison/Exile: Controlled Spaces in Early Modern Europe, Ertegun House, March 2017); PARIS (Universite Sorbonne Nouvelle, May 2014; TWB Annual Workshops, June 2015 [NYU Paris] & June 2016 [Sorbonne]); TOURS (15th Round Table on Tudor Theatre, Sept 2017); TRIER (University of Trier DFG Forschergruppe 2539: Resilienz, May 2017); VIENNA (Universität Wien, Dec 2015); WOLFENBUETTEL (39th International HAB Summer School, Aug 2015; 15. Jahrestreffen des Wolfenbütteler Arbeitskreises für Barockforschung, July 2016; Technologies of Spectacle I, Feb 2017).

Commedia dell'arte, coverCuckolds
 

Teaching interests

My teaching interests include English and comparative literature, drama and performance culture, primarily within the early modern period. Departmental and Faculty courses to which I contribute include A815 (our English MA) and A334 (our level 3 course in English Literature before 1800). I enjoy presenting undergraduate and postgraduate seminars at European universities featuring my publications on their course reading lists. Teaching text books to which I have contributed chapters include the OU English MA handbook. I warmly welcome doctoral enquiries in my research areas (m.a.katritzky@open.ac.uk).

Research Activity

Research groups

NameTypeParent Unit
Book History and Bibliography Research GroupGroupFaculty of Arts
Gender in the Humanities Research GroupGroupFaculty of Arts
Renaissance and Early Modern Research GroupGroupFaculty of Arts
The Arts and their Audiences Research ClusterClusterFaculty of Arts

Publications

Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England (2016-06-01)
Katritzky, M. A.
Spenser Review, 46, Article 6(1)
The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa (2016)
Katritzky, M. A.
Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) (pp. 24-38)
A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture (2014-10)
Katritzky, M. A.
German Life and Letters, 67(4) (pp. 467-480)
Zan Bragetta a Jean Potage: Divadelní kočovníci v raně novověké Evropě (2010)
Katritzky, M. A.
Divaldelni Revue, 2(1) (pp. 48-61)
Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing (2009)
Katritzky, M. A.
The Sixteenth Century Journal, 40(4) (pp. 1167-1169)
Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents (2008-12)
Katritzky, M. A.
Early Theatre, 11(2) (pp. 141-155)
Secrets of women: Gender, generation and the origins of human dissection (2008-04)
Katritzky, M. A.
Social History of Medicine, 21(1) (pp. 198-199)
Improvisation in the arts of the middle ages and renaissance (2006)
Katritzky, M. A.
Early Theatre, 9(1) (pp. 149-152)
The commedia dell'arte: a theatre-iconographical perspective (2005)
Katritzky, M.A.
Maske und Kothurn, 50(3) (pp. 19-43)
Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds (2005)
Katritzky, M. A.
Shakespeare Yearbook, 15 (pp. 113-140)
Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall) (2004)
Katritzky, M. A.
Theatre Research International, 29(1) (pp. 78-81)
What did medieval stages look like? (2003-01-03)
Katritzky, M.A.
Times Higher Education Supplement(1570) (pp. 13-13)
'Unser sind drey': the quacks of Beer, Printz and Weise (2002)
Katritzky, M.A.
Maske und Kothurn, 48(1-4) (pp. 117-142)
Gendering tooth-drawers on the stage (2001-07)
Katritzky, M. A.
Ludica, annali di storia e civilta del gioco, 5-6 (2000) (pp. 144-181)
Marketing medicine: the image of the early modern mountebank (2001-06)
Katritzky, M.A.
Renaissance Studies, 15(2) (pp. 121-153)
Comic stage routines in Guarinonius's medical treatise of 1610 (2000)
Katritzky, M. A.
Theatre Research International, 25(3) (pp. 217-232)
Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography (1999)
Katritzky, M. A.
Theatre Research International, 24(2) (pp. 160-167)
Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97 (1999)
Katritzky, M. A.
Quaderni Veneti, 30, (pp. 61-126)
The Commedia dell'arte: An introduction (1998)
Katritzky, M. A.
Theatre Research International, 23(2) (pp. 99-103)
Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598 (1998)
Katritzky, M. A.
Theatre Research International, 23(2) (pp. 104-125)
A German description of the Florentine intermedi of 1565 (1997)
Katritzky, M. A.
Italian Studies, 52(1) (pp. 63-93)
Harlequin in renaissance pictures (1997)
Katritzky, M. A.
Renaissance Studies, 11(4) (pp. 381-419)
Eight portraits of Gelosi actors in 1589? (1996)
Katritzky, M. A.
Theatre Research International, 21(2) (pp. 108-120)
The Florentine entrata of Joanna of Austria and other entrate described in a German diary (1996)
Katritzky, M. A.
Journal of the Warburg and Courtauld Institutes, 59 (pp. 148-173)
How did the Commedia dell'arte cross the Alps to Bavaria? (1991)
Katritzky, M. A.
Theatre Research International, 16(3) (pp. 201-215)
A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? (1988)
Katritzky, M. A.
Nationalmuseum Bulletin, 12(1) (pp. 37-53)
Commedia dell'arte och kvinnornas debut pa teaterscenen (1988)
Katritzky, M.A.
Astra, 70(9) (pp. 24-27)
Lodewyk Toeput: Some pictures related to the commedia dell'arte (1987)
Katritzky, M. A.
Renaissance Studies, 1(1) (pp. 71-125)
Italian comedians in renaissance prints (1987)
Katritzky, M. A.
The Print Quarterly, 4(3) (pp. 236-254)
Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter (2012-04-01)
Katritzky, M.A.
The history of medicine in context
ISBN : 978-0-7546-6707-0 | Publisher : Ashgate
Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks (2007)
Katritzky, M. A.
Studies in performance and early modern drama
ISBN : 9780754650843 | Publisher : Ashgate | Published : Aldershot, UK
The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records (2006)
Katritzky, M. A.
Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur
ISBN : 9042017988 | Publisher : Rodopi | Published : Amsterdam, Netherlands
Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (1999)
Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle
Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, A. William and de Vries, Lyckle eds.
ISBN : 9781580460446 | Publisher : University of Rochester Press | Published : Rochester, NY
Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick (2017)
Katritzky, M. A.
In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee (pp. 48-61)
ISBN : 978-3-7319-0520-2 | Publisher : Michael Imhof Verlag | Published : Petersberg
Die Ikonografie der Commedia dell'arte bis 1750 (2016-03-03)
Katritzky, M. A.
In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters (pp. 82-97)
ISBN : 9783731903475 | Publisher : KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag | Published : Vienna
German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria (2016-03-01)
Katritzky, M. A.
In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3) (pp. 126-142)
ISBN : 9783731903512 | Publisher : Michael Imhof Verlag | Published : Petersberg, Germany
Shakespearean players in early modern Europe (2016-01)
Drábek, Pavel and Katritzky, M. A.
In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare (pp. 1527-1533)
ISBN : 9781107057258 | Publisher : Cambridge University Press | Published : Cambridge
Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions (2015-03-13)
Katritzky, M. A.
In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14) (pp. 125-148)
ISBN : 9783954900381 | Publisher : Reichert Verlag | Published : Wiesbaden
Images of the commedia dell'arte (2014-12-08)
Katritzky, M. A.
In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte (pp. 284-299)
ISBN : 978-0-415-74506-2 | Publisher : Routledge | Published : Abingdon
Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras" (2014-10)
Katritzky, M .A.
In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity (pp. 59-84)
ISBN : 978-1-4724-1439-7 | Publisher : Ashgate | Published : Farnham
Shakespeare’s “portrait of a blinking idiot”: transnational reflections (2014-08)
Katritzky, M. A.
In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama (pp. 157-175)
ISBN : 978-1-4094-6829-5 | Publisher : Ashgate
Literary anthropologies and Pedro González, the “Wild Man” of Tenerife (2014)
Katritzky, M. A.
In: Slater, John ; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies (pp. 107-128)
ISBN : 978-1-4724-2813-4 | Publisher : Ashgate | Published : Farnham
Travelers’ tales: magic and superstition on early modern European and London stages (2013-02)
Katritzky, M. A.
In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama (pp. 217-238)
ISBN : 978-1-4094-4008-6 | Publisher : Ashgate | Published : Farnham; Burlington, VT
“‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare (2012-04-15)
Katritzky, M. A.
In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2) (pp. 223-244)
ISBN : 9783895008139 | Publisher : Reichert Verlag | Published : Wiesbaden
Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece (2011)
Katritzky, M. A.
In: Kümper , Hiram and Simić , Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26) (pp. 77-118)
ISBN : 9783883093062 | Publisher : Bautz | Published : Nordhausen
I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi (2010)
Katritzky, M. A.
In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia (pp. 461-509)
ISBN : 9788862271899 | Publisher : Fabrizio Serra Editore | Published : Pisa, Italy
Checklist of libraries, print, online and other research resources (2010)
Katritzky, M. A.
In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research (pp. 224-249)
ISBN : 978-0-415-48500-5 | Publisher : Routledge | Published : Abingdon
Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700) (2009)
Katritzky, M.A.
In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband (pp. 319-340)
ISBN : 9783940310514 | Publisher : Neisse Verlag | Published : Dresden
English troupes in early modern Germany: the women (2008-06)
Katritzky, M. A.
In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama (pp. 35-46)
ISBN : 9780754662815 | Publisher : Ashgate | Published : Aldershot, UK
Reading the actress in commedia imagery (2008-03)
Katritzky, M. A.
In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama (pp. 109-143)
ISBN : 978-0-7546-6535-9 | Publisher : Ashgate | Published : Aldershot, UK
Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610 (2008)
Katritzky, M. A.
In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340) (pp. 107-137)
ISBN : 978-3-7030-0442-1 | Publisher : Universitätsverlag Wagner | Published : Innsbruck
'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals (2007-04)
Katritzky, M.A.
In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins (pp. 197-214)
ISBN : 0 7546 5557 1 | Publisher : Ashgate | Published : UK
Text and performance: medieval religious stage quacks and the commedia dell'arte (2007-03)
Katritzky, M.A.
In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology (pp. 99-126)
ISBN : 9783110193404 | Publisher : Walter de Gruyter | Published : Berlin
Reading the actress in commedia imagery (2005-10)
Katritzky, M.A.
In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama (pp. 109-143)
ISBN : 754609537 | Publisher : Ashgate | Published : Aldershot, UK
What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography (2004-09-27)
Katritzky, M.A.
In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften
ISBN : 370300388X | Publisher : Universitaetsverlag Wagner | Published : Innsbruck
The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte (2004)
Katritzky, M.A.
In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play (pp. 34-56)
ISBN : 9085550114 | Publisher : Pallas Publications | Published : Amsterdam
The mountebank: a case study in early modern theater iconography (2003)
Katritzky, M.A.
In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues (pp. 231-286)
ISBN : 810117568 | Publisher : Northwestern University Press | Published : Evanston, U.S.A.
Theatre iconography in costume series: the "New York" friendship album (2002)
Katritzky, M.A.
In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography (pp. 171-196)
ISBN : 8883197186 | Publisher : Bulzoni Editore | Published : Rome
Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history (2001)
Katritzky, M.A.
In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects (pp. 209-258)
ISBN : 905701023 2 | Publisher : G+B Arts International | Published : Amsterdam
Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum (2001)
Katritzky, M.A.
In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. (pp. 217-229)
ISBN : 9536106302 | Publisher : Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti | Published : Zagreb, Croatia
Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600 (2000)
Katritzky, M. A.
In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35) (pp. 603-633)
ISBN : 3447042656 | Publisher : Harrassowitz Verlag | Published : Wiesbaden
Performing-arts iconography: tradition, techniques, and trends (1999)
Katritzky, M.A.
In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (pp. 68-90)
ISBN : 9781580460446 | Publisher : University of Rochester Press | Published : Rochester, NY
Selected iconographic research resources (1999)
Katritzky, M. A. and Heck, Thomas F.
In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (pp. 163-186)
ISBN : 9781580460446 | Publisher : University of Rochester Press | Published : Rochester, NY
Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600) (1999)
Katritzky, M. A.
In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design (pp. 12-29)
ISBN : 754600068 | Publisher : Ashgate | Published : Aldershot
Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer] (1998)
Katritzky, M. A.
In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998 (pp. 92-103)
Publisher : Expo Print AB | Published : Strangnas
Orlando di Lasso and the commedia dell'arte (1996-07-25)
Katritzky, M. A.
In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111) (pp. 133-155)
ISBN : 3769601068 | Publisher : Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag | Published : München, Germany
Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence (1996-06)
Katritzky, M. A.
In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre (pp. 209-288)
ISBN : 773488146 | Publisher : Edwin Mellen Press | Published : Lewiston, New York
The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568) (1992-12)
Katritzky, M. A.
In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3) (pp. 143-172)
ISBN : 773496084 | Publisher : Edwin Mellen Press | Published : Lewiston / Queenston / Lampeter
The Recueil Fossard 1928-88: a review and three reconstructions (1989)
Katritzky, M. A.
In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI) (pp. 99-116)
ISBN : 889460809 | Publisher : Edwin Mellen Press | Published : Lewiston/Queenston/Lampeter
European Theatre Performance Practice, 1580–1750 (2014-03)
Henke, Robert and Katritzky, M. A. eds.
Critical Essays on European Theatre Performance Practice
ISBN : 978-1-4094-1912-9 | Publisher : Ashgate | Published : Farnham
Critical Essays on European Theatre Performance Practice: 4-Volume Set (2014)
Katritzky, M. A. and Davis, Jim eds.
ISBN : 978-1-4094-1915-0 | Publisher : Ashgate | Published : Farnham
“A plague o’ these pickle herring”: from London drinkers to European stage clown (2014)
Katritzky, M. A.
In : Ninth World Shakespeare Congress: Renaissance Shakespeare: Shakespeare Renaissances: (17–22 July 2011, Prague, Czech Republic) (pp. 159-168)
Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research (2008)
Katritzky, M. A.
Centre for Reformation and Renaissance Studies
Special Issue of Theatre Research International: The Commedia dell'Arte (1998-07)
Katritzky, M. A.
Cambridge University Press
A court festival set in the garden of an Italian villa (1998)
Katritzky, M. A.
Trinity Fine Art, London.

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