Veronica Davies joined the Art History department as a Lecturer in November, 2013, having held a previous temporary lecturer contract (2010-12) and worked as a consultant in the department in various capacities. She did her first degree with the OU, and, following a career with an IT focus in the civil service, returned to become an Associate Lecturer in 1999.
She was Hon. Secretary of the Association of Art Historians from 2010-13, and in 2012 acted as co-convenor of their international conference, hosted by the OU at Walton Hall. She remains an active member of the AAH with a particular interest in advocacy for the discipline of Art History.
An undergraduate project on British World War II war artists led to her research interest in British and German art and art institutions of the 1940s and 50s. This was developed in her MA dissertation on exhibitions in Britain during World War II and their relationship with modern art, and extended in her doctoral thesis which compared state art policies, institutional practices and exhibition organisation in Britain and Germany between1945-51, and focused in particular on cultural policies in the British-occupied Zone of North West Germany. More recently, support from the OU’s research associate scheme for Associate Lecturers enabled her to carry out research into exhibitions in the early Cold War period of the 1950s. She has given a number of related conference papers, and hopes to publish her research in a more comprehensive way before too long.
February 2014: ‘If she can do what she has done in war, what may she not do in peace?’ Women as contributors to production in Second World War Britain in the session Women, War and Industry, CAA, Chicago
February 2013: Exhibiting Change through Exchange: Britain and Germany in the post-war decade at interdisciplinary conferenceBeziehungsanalysen: Bildende Kunst in Westdeutschland 1945 ‐ 1964 Akteure, Institutionen, Ausstellungen und Kontexte at TU Dresden. Published Autumn, 2014.
February 2012 ‘And now, over Germany, the derelict day is resumed’: British and German experiences 1945-50 in the session Out of Rubble, CAA Los Angeles (A version of this paper given as a 'Bites' talk at the South Bank Centre as part of OU participation in 'The art of fear'/Rest is Noise:Fine Arts and Archives: Confronting a land of ruins May 2013)
September 2010: Post-war to Cold War: Exhibiting Change after 1945 inCold War Cultures conference, University of Texas at Austin
December 2008: ‘Steering a progressive course’? Exhibitions in wartime and postwar Britain Henry Moore Institute, Leeds
April 2007: ‘Closing the wounds’? The role of exhibitions in post-war Germany in the session Contested Histories in German Visual Culture 1871-1990, AAH, Belfast
February 2007: The legacies of National Socialist art policies in the British Zone of Germany, 1945-50 in the session Art History and National Socialist Germany: A Reevaluation, College Art Association, New York
October 2004: German Initiatives and British Interventions 1945-51 at the conference Kontinuität und Neubeginn. Kunstgeschichte im westlichen Nachkriegsdeutschland Bonn University, also published in anthology Kunstgeschichte nach 1945. Kontinuität und Neubeginn in Deutschland, Cologne 2006
An Associate Lecturer since 1999, she has taught art history and interdisciplinary courses at all levels, from level one short courses to the art history MA.
Her recent and current work for the Art History department has focused on the Art History MA and she is Deputy Chair of the second module of the new MA. She has represented the department on the AA100 module team, and is at the moment a module team member for AA318, Art of the Twentieth Century and Module Chair of AD281, Understanding Global Heritage. A particular interest is in fostering good study skills for art history students, and she has developed a range of online skills materials for postgraduate and undergraduate students.