I studied English Literature at King’s College London, followed by an MA in Feature Film at Goldsmith's. I have written extensively as a professional dramatist, for BBC Drama, Radio 4, BBC Films, Calipo, Make and others, and have written and directred for leading companies in several countries, including the Soho Theatre (London), 7:84 (Glasgow), Jagriti Theatre (Bangalore), Kisi (Reykjavik), and Aisling Ghéar (Belfast). I have won several writers schemes and awards, including the Bill Miskelly Award (NI Screen) and BBC Double Exposure. My film, The Wayfarer, was winner of the BBC Northern Lights competition, and I wrote Warning Signs for the BAFTA-nominated Citizenship series. Recent projects include the NI Screen-funded film Invisible which was nominated as Best LGBTQ film at the Queens New York World Film Festival. My Classic Serial for BBC R4, Barry Lyndon, was nominated for a Sony.
I completed my PhD at Ulster University, with the doctoral thesis Modes of authorship in applied theatre for community advocacy in northern Ireland, 1998-2018. Since 2021 I have worked at the OU as a lecturer in Creative Writing, and am on Module Teams for the MA in Creative Writing and for two undergraduate modules.
My doctoral thesis examines modes of authorship in theatre for social and political advocacy.
My research interests fall into two broad categories. One area of interest concerns the ways in which theatre works to challenge dominant social formations. This includes structures of production in theatre for social change; advocacy theatre in post-conflict societies; queer theatre and identity politics in the north of Ireland; and open / porous models of applied theatre authorship.
I also have active interests in alternative scriptwriting methods and dramaturgies, including alternative modes of authorship; non-linear storytelling in screen drama; and disruptive narrative structures in film.
My primary interests in teaching focus on dramatic writing, for theatre, film, television, radio, and digital / open source / open access formats.
I have particular interests in narrative structure, in audience relationships, and in porous forms.
I am currently a visiting tutor at the University of València, where in 2022-23 I will teach Advocacy Theatre processes in a programme for the Aula de Artes Escénicas.
|Role||Start date||End date||Funding source|
|Lead||01 Nov 2022||31 Mar 2024||BRITAC British Academy;LEVERHULME The Leverhulme Trust|
Throughout the conflict in Ireland, its playwrights (Brian Friel, Stewart Parker, Christina Reid, and others) addressed the horrors taking place in their communities. The latter years of the conflict and post-conflict period saw a growth in theatre with communities that sought to draw the factions into dialogue, and address legacy issues. Much academic writing has examined this work. However, little has been written about that group of authors whose work straddles both these forms: former activists and combatants who have gone on to careers as professional writers. These writers have created work that has been critically lauded and commercially successful. It occupies an important place at the intersection of arts and political advocacy and offers insights to both. The proposed study will examine these works through interviews with their authors, examining the conditions and contexts that motivated their decisions to develop careers as writers alongside or subsequent to political activism.
Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality (2022)
Mac Cathmhaoill, Dónall
Platform: Journal of Theatre and Performing Arts, 16(1) (pp. 111-117)
Addressing the legacy of inter-communal violence through drama: mainstream theatre and community drama (2021)
De Ornellas, Kevin and Mac Cathmhaoill, Dónall
Glencree Journal, 2021 (pp. 164-174)