MA Fine Art (Edinburgh), Post-Graduate Diploma Art Gallery and Museum Studies (Manchester), MA Art History (Open University).
I began my PhD in 2018 having completed my Masters at The Open University with Distinction. My MA dissertation was a short-listed runner-up for the Association for Art History's post-graduate dissertation prize 2017 (Katharine Ault: 'How did Ugolino di Nerio's Santa Croce Polyptych challenge and change the art historical canon between 1780 and 1887?').
Giotto and Non-Giotto in Nineteenth-Century Britain
My PhD research focuses on the circulation, display and reception of works attributed to the fourteenth-century Italian artist Giotto di Bondone and the changing ways in which his artistic identity was constructed in nineteenth-century Britain. It probes the criteria involved in attributing work to him, and it seeks to unravel the circumstances that made their loan to public exhibitions and their acquisition by public institutions possible. It asks where and how works were displayed, and what values they were made to demonstrate.
The project is funded by an AHRC doctoral award through CHASE, the Consortium for the Humanities and the Arts South-East England.
Katharine Ault, 'A Predella Panel from Cecco di Pietro's Agnano Altarpiece', The Burlington Magazine, November, No.1064, pp.766-770, 1991.
‘Private ownership, public display and commodification: Ugolino di Nerio’s Santa Croce Polyptych in nineteenth-century Britain’, Art as Commodities as Art, University of York, 14 June 2019.
'A Queen in Manchester: "Giotto’s Coronation of the Virgin" at The Art Treasures of Great Britain exhibition, 1857', Giotto's Circle, 20 June 2022.