Daniel Brew: Expanding Idiomatic Electric Guitar In Contemporary Music

Paul Britten: English Municipal Orchestras in the Late Nineteenth and Early Twentieth Centuries

Caroline Cowan: August Manns, the Crystal Palace: a study of British composers and their premiere concerts with relation to canon formation and the 'English Musical Renaissance'

Bridget Cunningham: Johann Adolph Hasse and the operatic music of eighteenth-century London

Steven Greer: Beauty Supreme - An Examination of the Philosophy of Beauty in the Literary-Critical and Musical Works of Kaikhosru Shapurji Sorabji (1892-1988)

Ann Grindley: Fin-de-siècle Salon Culture: A Reappraisal of Cécile Chaminade

Louise Guy: Recorders in Scottish Education: the life and work of Brian Bonsor

Elizabeth Hardman: Confronting canonicity and promoting diversity: gender and contemporary concert programming

Liz Irvine: Handel’s borrowing in the operas of the early to mid 1720s: An investigation of compositional process

Giancarlo Ranzani: An exploratory study on how the clave rhythm is transmitted in Cuba

Wendy Smith: Exploring homage in electroacoustic music: exposing the hidden histories and work of early women electroacoustic composers in Europe (1940-70)

Christine Turner: Moral Earnestness: The subscription practices of William Wilberforce and his circle to evangelical sacred music collections c.1730-c.1830

Dawn Weeden: Salvation Army brass band festivals: mission, message and performance

Connor Wheeldon: Investigating musical pastiche through the works of Franz Liszt

Giorgio Zampirolo: MOOCs in 21st Century Music Education:  a quality survey that integrates theory and case study research