Daniel Brew: Expanding Idiomatic Electric Guitar In Contemporary Music
Paul Britten: English Municipal Orchestras in the Late Nineteenth and Early Twentieth Centuries
Bridget Cunningham: Johann Adolph Hasse and the operatic music of eighteenth-century London
Steven Greer: Beauty Supreme - An Examination of the Philosophy of Beauty in the Literary-Critical and Musical Works of Kaikhosru Shapurji Sorabji (1892-1988)
Ann Grindley: Fin-de-siècle Salon Culture: A Reappraisal of Cécile Chaminade
Louise Guy: Recorders in Scottish Education: the life and work of Brian Bonsor
Elizabeth Hardman: Confronting canonicity and promoting diversity: gender and contemporary concert programming
Liz Irvine: Handel’s borrowing in the operas of the early to mid 1720s: An investigation of compositional process
Giancarlo Ranzani: An exploratory study on how the clave rhythm is transmitted in Cuba
Christine Turner: Moral Earnestness: The subscription practices of William Wilberforce and his circle to evangelical sacred music collections c.1730-c.1830
Dawn Weeden: Salvation Army brass band festivals: mission, message and performance
Giorgio Zampirolo: The Gaps Between Instruction and Learning in Present Music MOOCs: Perception and Reality
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