| Speaker | Title |
|---|---|
| Aurorarosa Alison- Milan | Digital Aesthetics: New Boundaries of Sensitive Communication |
| Claire Anscomb - Kent | Who Authors AI Art? (And Why Does It Matter?) |
| Sarra Bouabdeli - Reading | The Artistic and Moral Significance of VR Storytelling |
| Ian Cross – Cambridge | Music as Solipsism and Sociality |
| Nea Ehrlich - The Negev | Another Planet? Rethinking the Ethics and Aesthetics of Animated Documentaries in an Era of Post Truth and Digital Mixed Realities |
| Alex Fisher - Cambridge | Fiction, Ethics, and Virtual Action |
| Barbara Formis - Paris | Gesture and Emergence of Meaning |
| Vittorio Gallese - Parma | Digital World: The Experience of Self and Others in COVID-19 time |
| Satinder Gill - Cambridge |
Shaping our Tacit Engagement |
| Maja Kuzmanovic - Brussels | Convivia, refugia, not always everywhere |
| Kyoo Lee - New York | Tele Be in the Age of Pandemicreativity: Going Retrofutural with Nam June Paik, a TechnoPhiloPoet |
| Caroline Nevejan - Amsterdam | Creative Capabilities are Core |
| Elisabetta Modena - Milan | A Different Set of Conventions: Politics and Ethics in Virtual Reality Art |
| Vid Simoniti - Liverpool | Digital Images |
| John Tillson - Liverpool, J Adam Carter - Glasgow, and Viktor Ivanković - Zagreb |
Moral Education, Big Data, and Adaptive Games |
| Steve Di Paola | AI systems in the Visual and Poetic Arts for Social Good’ |
| Victoria Vesna - Los Angeles | Art-Sci Nexus |
| Heather Widdows - Birmingham Helen Ryland - The Open University |
Thin with Extra Curves: The Beauty of Avatars |
| Sha Xin-Wei - Arizona | Synthesis -Topological Media |
| Alexis Johnson - Lancashire | Collaborative Art |
| Warren Neidich - Los Angeles/Berlin | AI and the Brain Without Organs: An Activist Neuroaesthetics Approach |
| Ariana Phillips-Hutton - Cambridge | TBC |
Vibeke Sorensen – Singapore
Karamjit S Gill – Cambridge
Derek Matravers – The Open University
Soh Yeong – Seoul
Elizabeth Tolbert – Baltimore